For me, it's hard to not see this album as an elevation for a survivor of sorts. Cave's two sons have died and I can't understand the depths of those sorrows; I've experienced visceral and all-consuming sorrow in different ways, but I feel—and I may very well be wrong about this—that Cave's spiritual sides have grown beyond that of the christian concept of God, into something that I identify as unitarian universalist.

The first half of the album uses Cave's voice as that of a gospel preacher, rhythmically and repetitively, throwing his audience into a trance. The addition of a gospel choir in a few places doesn't hurt.

I dig how the drums sound as though the mics… More