gus_fr

listened to while playing dark souls 3.

'kiss it better' alone puts this as one of my favourite records ever.

bops front to back

this album is a fucking time machine, makes me feel like a teenager again every time i listen.

their last album as a trio, will miss this sound dearly, but this album will live forever, just like him. rip groggs.

björk over gabber production? sign me the fuck up.

the kids are alright.

can never be too mad at the kids on tiktok for making 'my love all mine' as big as it is.

the last good drake release.

self-fulfiling prophecy. still a great album.

yes wonderwall, is meme'd to death, but in the context of the rest of the album it works. fight me, i will die on this hill.

people who say they hate oasis are fucking liars, or they're just boring and not worth your time.

ferocious doesn't even begin to describe this, comes at you like a bull out of a cage.

all killer no filler, death metal ferocity, not bringing anything new to the table, but when you're doing the fundamentals better than your some of your elders ever did, that's fine.

mixes and matches sounds from all over the place and brings it together in this fantastic afro-futurist package.

synth-pop greatness, do i even need to elaborate? probably their best album?

beautifully layered album, takes influence from two of my favourite bands, grateful dead and pavement, for some great guitar melodies.

it's insane that one of four tet's weaker releases in recent years is still this good.

the spirit and songwriting of the late great ryuichi sakamoto lives on in kelly moran.

when this was announced i said it was already the strongest aoty contender. it's not even in the race for me anymore, but it's still a great album. one of the few radiohead side projects worth listening to, aside from jonny greenwood's compositions for various films.

one of the best metal albums in recent memory. finally someone actually looking to try something truly new within a genre that has been largely stagnant for decades.

on this album ty segall gives us the best of both worlds when it comes to his songwriting, the ferocity and fuzz of the guitar playing on straight garage rock songs, and some great acoustic pop jams. could end up being my new favourite release, we'll see.

wow, the sounds on this thing are all over the place, as are the features, but in the end it all just works, and so well at that.

needed a few listens before i could really formulate an opinion, but for me it's easy to say that vampire weekend are back and better than ever. this is very much in the vein of contra + mvotc, my two favourite releases from them.

"we are so fucking back" as the kids would say .