Carolina Jonsson Malm

Charli xcx claims her latest album, BRAT, is tailor-made for the nightclub. Well, I'm not sure which club she's referring to, but it's certainly not one I'd be hitting up. However, I must admit, I thoroughly enjoy ugly dancing to it at home in my underwear while frying up some eggs or doing the dishes. Despite its mislabeling, BRAT is a fun ride through quirky beats and catchy Britney-Spears-eat-your-heart-out-hooks. Charli, you might not be serving a club banger this time, but you saved my kitchen disco!

Billie Eilish's new album is a masterful blend of her signature dark electropop and ethereal power ballads, striking a balance that feels both familiar and refreshingly innovative. This album seamlessly bridges the gap between the haunting, minimalist sounds of "When We All Fall Asleep, Where Do We Go?" and the more polished, introspective tones of "Happier Than Ever".

With this album, Eilish is pushing her musical boundaries while maintaining the essence of her unique style. Eilish has managed to craft an album that is experimental but never alienates the listener, that is both avant-garde and accessible, both powerful and introspective.

This is an album that grows with you, revealing new layers and nuances with each play, which is why I… More

Taylor Swift's latest album, "The Tortured Poets Department," is a mixed bag of brilliance and clichés. There's no denying Swift's talent; her songs are charming and subtly elegant. However, the album suffers from occasional generic songwriting and cringy lyrics (I'm looking at you, "The Smallest Man Who Ever Lived"), leaving me frustrated and conflicted.

One of the most significant drawbacks is the album's length. With so many tracks, it's easy to lose interest before reaching the end. It seems as though Taylor Swift's status as a megastar has granted her complete creative control, but sometimes, a little editing (or, in this case, a lot) could go a long way.

What's most perplexing about the album is the simultaneous abundance and… More

As usual, Bey's overambitious concept albums are better in theory.

While "In Search Of The Antidote" by FLETCHER shows promise with its catchy tunes, it's hard to ignore the overwhelming similarities to Taylor Swift's style and sound. From the lyrical themes to the vocals and musical arrangements, it feels like a blatant attempt to mimic Swift's success rather than showcase originality. I mean, the songs "Antidote" and "Ego Talking" are basically two variations of "Anti-Hero", but not nearly as good. It's disappointing to see an artist resort to imitation instead of carving out their own unique identity in the industry. I was expecting more.

The best EP of 2024 was released already in January. New Zealand Survival Songs is characterized by Amanda Palmer's signature blend of raw emotions, poignant songwriting, and candid lyrics. Against the backdrop of COVID-era isolation, the six songs (yes, there are actually six) grapple with themes of separation, loneliness and mental struggles. The album's minimalist production allows her storytelling prowess to shine, and I found myself laughing out loud at times, and wanting to cry at others. I think Amanda Palmer is one of the most interesting artists of our time, and I can't wait until her next full-length album!

2024 started out with a musical bang thanks to SPRINTS' electrifying debut album. I just love their fierce energy, catchy melodies, and memorable hooks - and they seem really cool too. Hope to see them live in the near future!

I did not get their debut album at all or the hype surrounding it. I don't know if I get it now either, but I certainly like this one better. Maybe they have changed their sound, or maybe it's me catching up. 😂

This one is really growing on me! There's something understated yet very gripping about the way the songs are arranged and a somewhat ethereal atmosphere that makes me want to listen to the album over and over again.

I wasn't a fan of their previous work, but I really enjoy the new direction their music has swiveled into. Great songs, very danceable, charming even.

I think this album is a lyrical tour de force. I just love how Kacey Musgraves talks about heartache, self-discovery and resilience without it ever feeling preachy or cheesy. I mean, this line right here: "Sailor Moon's got nothing on me", it's pure pop perfection.

Funny and weird. This woman is a genius. Next up: world wide domination.

Can't help falling completely in love with this. Brilliant stuff.

Mikko Joensuu's new album is a captivating journey through introspective lyrics and haunting melodies. The soulful vocals and atmospheric instrumentation are perfect for this kind of melancholic and grandly orchestrated indiepop. Finnish music doesn't get any better than this.