Avant-garde, angry, and straightforward while also possessing artistry. In the early 1990s, Cui Jian used this extremely eclectic avant-garde album to express some of his inner thoughts. Since then, no authoritarian government has tolerated such voices, but as music, even if you don't understand Chinese, you will be drawn in by the instrumental performances. Perhaps it is this sense of fragility that makes these eggs under the red flag particularly rare.