Underrated french touch gem. slightly more hip hop funk in vibes than the usual french house records of the era with lots of samples and scratching. Another album and band that time forgot. Pick it up if you see it in the bargain bin.

Solid album, a good summation of Justice's career. Sure soundwise this might not punch as hard as their first releases but I feel like the whole culture has moved on from that era and nothing sounds as abrasive anymore, which I ultimately subjectively prefer (but that's like my opinion man)

I generally think it's very hard to have a long career on the bleeding edge of cool when the thing that's 'in' changes every other year, Justice have survived with a bit of cunning conceding something to pop music, but they definitely have a knack for writing catchy and weird tunes, and their choice of collaborators with indie cred like Tame Impala, Thundercat and Connan Mockasin ensures they still get… More

I've been bumping into John Tejada's music since forever. The first time was maybe 20 years ago when I visited the local dj only record store in my hometown, I was buying IDM, illbient and weird beats cds, everybody else was tracking the latest club music, and Tejada had been suggested to me by the owner, something about his synth sounds was resonating with me, it felt like elegant stuff compared to other stuff they were blasting.

But now it's the time I finally and properly get into his music, and this collaboration with Reggie Watts out on Brainfeeder is the perfect jumping point for me.

The grooves are extremely cool, the bass synth deep and punchy, the songs catchy… More