Azahar

by

Azahar

Azahar's second album is a nice example of Spanish rock with strong arabic roots of Andalusian rock. The first song, 'Expresso a Ketama', is a great and powerful start to the album, with nice guitar work that leads the song.

In 'La Naranja y el Limon' the Azahar musicians show us their virtuosity, especially on the bass line and on keyboards, with a distinctly arab atmosphere. However, the lead vocals are not as remarkable or melodic as Triana's famous voice Jesus de la Rosa.

'Noche de Primavera' tries to emulate the flamenco rhythms of early Triana, as in 'Zahira', especially in the synth and percussion. 'Bulerias de Lujo' follows with this percussion work that reminds me of 'Tele' Rodriguez's work with the aforementioned Andalusian band.

In 'El Mago Acidote' we see a more contemporary sound (the difference between this band and Triana). We find here the best vocal performance of the album. With the addition of some female voices, the sound of this song reminds me of 70s Spanish pop music.

With 'Aire y Fuego' the 80's are announced, the style of the song will be a clear influence for the following decade's bands and artists like 'El Último de la Fila' and Manolo García (who always has eastern influences in his albums).

The album ends with one of the highlights, 'Expreso de Ketama', a metaphorical musical journey from Andalusian rock to Spanish prog.

(Originally written for Progarchives website, 03-01-2012)